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There is no “proofing” against stupid camera handling. Ok, regarding the posterization I’ve downloaded the arw and the uncompressed nef page 13 of the review, bottom and put them in lr 5.

At each file there is a loading time where you can see the posterization effect in both. After loading there is no posterization. So, my opinion is that dpreview was using an older lr. I use a calibrated Dell Ultrasharp U P. Because the issue your link is talking about is completely pointless. Absolutely doesn’t effect the usage of the camera. Here how you can meter the exposure yourself, if the screen is pitch black you are way under exposed. Of it is completely white, you are way over exposed.

Not for street shooting or any fast moving situation. Focusing is horrid to non-existent if you want to capture the moment. After spending two weeks street shooting for the most part – all things considered you need to be on a tripod or to have lots of time to focus first. So forget capturing a “moment” that is fleeting. There are still many features that are just plain wrongly done or not thought thru from the standpoint of real world usage.

The a7 is better from many standpoints but still lacks the focusing capability of even a low end DSLR. Very disappointed. Sony just can’t get this line of cameras up to professional standards yet.

Too bad. Would love to see them really make a full-frame mirrorless light weight camera be worth the money. But then their lens choices are just weird. What is the world are they thinking. I don’t want to put a 2 pound lens on this camera. That totally defeats the go lighter mantra. Went street shooting with a group last night with the kit lens. It was fantastic.

Yep, with the kit lens! I did not use a tripod. Focusing was dead easy if you know what you’re doing. If the kit lens can perform as well it did at night, then I have no worries at all about what the FE 35mm can do. I always wonder what kind of seriously weird lighting people must be shooting under when they complain the A7 is slow to focus. Sure, it’s not D4 fast but it is not miss-your-shot slow either. It’s far better than any of the previous NEXes, and practically instant in daylight.

I didn’t know my zeiss 35mm was 2 pounds. Certainly doesn’t feel like it. I think Charles comments are just wildly exaggerated. I was taking pics of my daughters on swings yesterday and it tracked them fine. I don’t see any difference from my nex6 and my a7 when it comes to focusing.

Briefly tried hands-on in Sony store. I Liked the compact size and light weight, still being a FF. Overall spec is worth drooling over Maybe I am spoiled by K-5II Loving the reviews and specs. My only concern is the focus hunting I’d love to be able to shoot selfie-interviews without worrying about this problem.

Has anyone crafted an electronic focus limiter for these cameras? Even if it’s a really binary, crude setup like the old school lenses with a switch?

Wouldn’t this help a lot? I’ve had the A7 since January. I finally popped for the A7 and I love it! It’s going to be my new wedding, portraiture and fine-art camera. Looking forward to getting the battery grip and some fast Zeiss glass for it in the future. This cameral fills the bill for me. Light, compact and full frame. I think it’s the future of cameras. When for example dialing a larger aperture, the camera will only increase shutter speed, it will not reduce ISO.

Sony needs to fix this ASAP with a firmware update! I have this working perfectly with every other camera even my compact cameras RX and Canon S95 can do this perfectly right, not to mention all my DSLRs. I don’t expect to see this sort of cock ups on a camera of this level. AutoISO is one of the very best features of modern digital cameras, but somehow Sony was able to mess it up here, even though they get it right for compacts.

I’ve put it on auto ISO and shutter priority, and yes, it does start of on f4. But a bit of moving around eg.

Aperture priority when raised to the max produces a lower shutter speed. Doesn’t really bother me. Switch to manual. I’m glad your having fun, but it doesn’t change the fact that Auto ISO on this camera doesn’t work at all as it should.

I think Sony should allow allow the user to set the min. And Max settings for aperture and shutter speed during these auto modes. Them trying to predict what people want doesn’t work. There anything wrong with that it just shows that we all have different needs. I think must people would want max aperture speed to match the lens attached.

So a firmware update where people can customize these settings would be great. For now if I want the max aperture I shoot in manual mode or aperture priority mode. I remember my little nikon E? Wonderful apeture priority body, even accepted pro f lenses. Soooo much fun to find a dark scene at night, set it at f22, focus, on tripod, hit the shutter, and maybe an hour later Nikon still says that camera cannot shutter past one second.

Anyway, don’t use auto iso, put on apeture priority, set iso in safe range for available light Lots of fun. I am considering purchasing my first full frame camera and like what the A7 kit has to offer in size, Raw photos, HD videos, Wifi and price.

I am however concerned about the reviewers comments about the disappointment in JPEG photo quality. In looking at the sample JPEG photos illustrated, as an armature photographer, they look very good to me compared to what I am used to. I have had my a7 since the beginning of December. I shoot in both Jpg and raw.

I shoot jpg day to day of my kids, family, and casual stuff. I got tired of always shooting raw and having to process photos that I was just gonna share on Facebook or with family and friends. So I shoot raw for paid work or shots that are really important to me.

That all. Being said, the Jpgs out of the camera work great and look nice. Dpreview comments on the jpg output was mostly regarding the higher iso noise reduction. If you reduce the in camera noise reduction you will get a much better Jpg at higher iso settings.

So far I have zero issues with the Jpg output on my a7 although raw is gonna get you better results as usual. I should also mention the following about the as well: the camera is really versatile. It being so small and having the nfc feature can take the camera anywhere without it be in convenient and instantly share photos from it with my phone. So I get take the types of shots I get with a high end camera and share them like I shot them with a smart phone. It’s really the first ff camera that is practical for everyday use.

Thanks for the great feedback Paul and Quezra. Wow what detail and knowledge! You sold me on the A7. Now my only decision will be whether to purchase the kit lens or the Zeiss Or would I be wiser to start with the kit zoom lens and add other Zeiss lenses at a later time? I would go with one of the primes actually. Go with the 35mm if want to keep it compact and go with the 55mm if you want the best in image quality. The 55mm was rated the second best lens DXO labs has ever tested.

Both lenses are great on the A7. If you must have a zoom I would just stick with the kit lens and buy one of these primes to compliment it.

Not a big deal. Note the final thought Is it right for you? Sorry to say it, but I have not experienced ANY issues like these and I have shot hundreds of frames. I never shoot JPEG’s so cannot comment on those.

Be aware that mounting Legacy Lenses by means of Adapters can give rise to issues such as Colour Shift. This is very well documented, especially with Leica lenses and is nothing new. The problem can be circumvented with a bit of software called CornerFix, see:.

If you are not an experienced Photographer you would do well to stay out of this application. Unfortunately, Leica lenses are some of the best optically and if you already own some of these, you will want to crack the issues. Sorry, I have pasted the incorrect link to the single image referred to in Part 2. It should read:. Once you have opened the image on Flickr you will see three White Blobs in the bottom right of the Lightbox view.

The detail resolved and the Dynamic Range are very good for a Single Frame capture. Having read this review, I thought that I might share some images and thoughts about this new Sony Camera System. All have been shot using Available Light and the majority from a Manfrotto Carbon Fibre tripod as this is the way I work.

Hey DPR, do you have an eta for the A7r review? I agree, picture quality is pretty similar across the board. The only way manufactures can be individual is to concentrate on styling, function. Sony has announced delays in delivering certain cameras as a result of the Kumamoto earthquakes.

Read more. Sony has released firmware update 3. The update primarily brings new lens support and is available to download now from Sony’s support website. Giuseppe Milo credits his interest in landscape and architectural photography with helping to shape a series of street photos he calls ‘Faceless.

Take a look at a selection of his photos and learn more about his history with photography. Sigma’s been on a roll with their mirrorless Art series lenses. Does the new 24mm F1. It brings a new, 25MP sensor and bit 4K capture at up to p. We’ve put it to the test, both in the studio and out in the field. In our tests it delivers big performance and offers a few good reasons why you might choose a 12th-Gen Intel laptop over a Mac.

Canon’s high end APS-C mirrorless camera has plenty of compelling features, but is it worth the price? Jordan took it on vacation to find out. But is it enough to outclass the competition? We dive deep to find out where it excels and what it’s like to fly. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.

What’s the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we’ve rounded-up several great cameras for shooting landscapes, and recommended the best.

If you’re looking for the perfect drone for yourself, or to gift someone special, we’ve gone through all of the options and selected our favorites. Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we’ve chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.

Travel with Peter to see how he shoots, and view some of the spectacular photos he captures along the way. Includes sample gallery. We go hands-on with Sigma’s latest ‘Digital Native’ wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition. Sony has announced in-camera forgery-proof photo technology for its a7 IV mirrorless camera.

The technology, aimed at corporate users, cryptographically signs images in-camera to detect future pixel modification and tampering. It uses tracks, cords and hooks to store your gear flat against the wall without hiding it from view. The new Sigma 24mm F1. Check out our sample gallery to see how sharp it is, as well as how it handles flare, chromatic aberrations and sunstars. Sigma’s new 20mm F1.

Chris and Jordan run through their absolute favorite lenses for Sony E-Mount, including both Sony lenses and third party options. Nikon has released the financial results for the first quarter of its fiscal year, revealing increased year-over-year revenue and profits. Alfie Cameras is launching its Alfie TYCH next month on Kickstarter, but before then it needs beta testers to see how its triple lens half-frame camera performs.

NASA is preparing for a simulated Mars mission that will house four crew members in a module on Earth. The crew will remotely control drones and rovers to collect rock samples on a simulated Mars. Skypersonic, a remote control drone company, is supplying mission-critical technology as part of the mission. The explosion created one of the most energetic short-duration gamma-ray bursts ever observed.

The Tamron Lens Utility Mobile app is set to launch later this year. The app will let you use your compatible Android device to control, customize and update compatible Tamron lenses without the need for a computer. The images, which appear to be screenshots from a press briefing, reveal some of the details of the forthcoming lens.

The Peter McKinnon camera tool features a patent-pending design that features integrated Phillips and flathead drivers, as well as extendable arms capable of holding four other bits that can be swapped out to fit your needs.

Nikon has updated the firmware for its Nikkor Z 50mm F1. Is this good or bad for the industry, and what are the long-term implications? It’s a far cry from the conventional lenses you’re used to seeing, but it’s sure to give you a look, unlike any optic you can purchase online. The PGM0. Sigma is set to release new ‘products’ next week, on August 8, What do you think Sigma has in store? Check out some summer vacation photos from beautiful British Columbia to see for yourself.

Hardware data recovery is complex, requiring sophisticated, expensive equipment. A data recovery expert in Poland, Enter Serwis, has shown off how they use a Spider Board to recover data from a non-functioning memory card. This second-generation lens is smaller than its predecessor and uses a stepping motor, compared to the linear ultrasonic motors used in Samyang’s first-generation 85mm F1. Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Sony Alpha 7 Review comments.

Previous 1 Introduction. Sony a7 key features Bionz X Processor The company’s latest processor, dubbed Bionz X for reasons that presumably made sense to someone, is considerably more powerful than the previous generation, allowing what the company says is more sophisticated processing. Lenses While the a7 has an E-mount, you’ll need to use Sony’s new FE-series lenses to take advantage of its full-frame sensor.

The first five Sony FE lenses include two standard zooms, two primes, and a tele zoom We’re slightly surprised by Sony’s strategy here: it seems a bit odd to be making two different standard zooms to start with, rather than adding a wide-angle zoom. Adapter Full autofocus?

Full-frame ready? LA-EA1 No. Tags: review , sony. Next page. Sony a7. Discuss in the forums See full product details View sample images. We are retrieving offers for your location, please refresh the page to see the prices. View Comments Comments All SteveM I just got one. Vit Adamek You can do that using custom dial position setting.

Vit Adamek There is a setting that can either reflect the exposure setting or this can be turned off to maintain constant brightness. Vit Adamek Manual focus can be difficult in low light conditions only when the display can get grainy. Glen K Wells There has been a firmware update 1. Skinnerrr How well does this camera support manual focussing and are there any issues working with manual lenses or even adapting vintage manual lenses? CityHunter After a decade of losing money on TVs, and four consecutive net loss-making years, Sony is running out of time and money.

KShape Look at Apple, they had been suffering for so many years before becoming one of the biggest company in the world. Galbertson With articulating at horizontal is mechanizm strong enough to hold up Hoodman 3X loupe without supporting with finger?

The pictures themselves are perfect and exactly what you’d expect even when viewed on the lcd screen of the camera could yo tell me if this is on all sony cameras or just A7 could it be coz of lens or do i have to change my settings thank you. It’s a great camera. I have the A7. And had the NEX Mel Snyder Build quality today need be just good enough to enable the camera to last its likely useful life – which is at best years.

Can you comment, please? Richard Butler Which page does it say that on – it’ll need to be corrected. Galbertson Since eyesight progressily failing, and ears incresing in acuteness, if i record at 60p, is audio of higher quality tan recording 30p? Galbertson East west, Any lens that requires use of polarizer to optimize, otherthan specific intended use of polarizer, is certainly a lens i would never purchase.

Arindom I’m Sorry, but I strongly disagree to you Carl. Mel Snyder Aridom, I agree. Tripodasaurus I have been looking for a full format camera with a tiltable screen that’s in my budget for a long time as tripods don’t come up to my eye line.

Galbertson Need some serious advice Mel Snyder I agree, Marc. The kit has a plastic mount, which makes it lighter and probably more rugged than the metal , too I have a 24mm Canon FDn f2 that – wide open – blows the doors off any at 24mm at any aperture. Galbertson Marc and mel, thanks. Mel Snyder No, the difference is not likely to be visible without serious cropping.

They also have light leak issues. Andy Dan Ok, regarding the posterization PaulDavis Because the issue your link is talking about is completely pointless. Charles Bowers Not for street shooting or any fast moving situation. Overmars Went street shooting with a group last night with the kit lens. You don’t want to put a “2 pound lens on this camera”?

Then don’t. PaulDavis I didn’t know my zeiss 35mm was 2 pounds. Mazymus How would the video on this compare to RX?? InTheMist Slow to start, slow to focus, bad battery: mirrorless.

Kivivuori All technical gitzmos included, but no soul. Overmars Only had my A7 a few days. Not sure if it needs a ‘fix’ imo. Still playing with it though. Having fun! Arn I’m glad your having fun, but it doesn’t change the fact that Auto ISO on this camera doesn’t work at all as it should.

PaulDavis I think Sony should allow allow the user to set the min. Frank C. Galbertson I remember my little nikon E? Ray Kroll I am considering purchasing my first full frame camera and like what the A7 kit has to offer in size, Raw photos, HD videos, Wifi and price. PaulDavis I have had my a7 since the beginning of December.

PaulDavis I should also mention the following about the as well: the camera is really versatile. PaulDavis Quezra, you say it perfectly in this post.

 
 

 

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Kolari Vision has finished its teardown of Nikon’s new flagship mirrorless camera, the Nikon Z9. Kolari provides specialized lens filters and infrared and full-spectrum conversions of cameras, so they’re well-versed with taking cameras apart and seeing what’s going on under the hood.

The Z9 is a true professional camera with the specs to match, including a new The Z9 also has a brand-new 3. As soon as you remove the lens and capture an image, you’ll notice that the Z9 lacks a mechanical shutter, marking a bold new direction for the esteemed camera maker.

Kolari points out that the shutter frame used a non-magnetic plastic material, which means you’ll need a mag-mount to use Kolari’s clip-in filters for Z-mount. They started from the bottom, removing parts of the bottom plate and cutting through copper foil tape. They then removed screws from many places on the camera, including the bottom plate, side plates, camera rear, and viewfinder area.

Once the screws are removed, the entire back plate can pop off, including the four-way tilting LCD. Fortunately, there’s nothing to be done with the complex display mechanism. Once the back plate is removed, you can see the camera’s internals, including an entire an extensive set of ribbon cables. The Z9 includes many buttons, more than the Z7 II, so a lot of information must be transmitted through the camera.

The processor is surrounded by a custom heatsink frame that transfers heat from the processor to the camera’s shell. Alex writes, ‘[Nikon] went for a more minimalist design with it, keeping it open and off the other connectors, creating better guidance for the heat. The image sensor includes screws that hold the sensor down against springs.

Nikon added holes to provide access to the sensor screws. Nikon adjusts the sensor position to ensure that it’s perfectly calibrated and parallel to the focal plane. The sensor must be calibrated to avoid focusing errors. Kolari’s infrared conversions replace the sensor glass, so they often need to calibrate the sensor to fit the new glass.

The new access holes will make it much easier for a technician to fine-tune the sensor position without repeatedly taking the camera apart. Another nice aspect of the design is that the connection between the battery and the board is accessible, making repairs easier. Next is removing the heatsink, which includes numerous thermal pads beneath it.

From here, we see that the Z9 has two sensor ribbons. These are how the Z9 achieves truly blackout-free shooting. Once all the ribbons are disconnected, the motherboard is removed. The card readers are on opposite sides of the board, like with the Z7 II. Nikon also soldered all the ports on the board. Compared to the Sony a1 , which includes detachable flex cables for many of its ports, the Z9 will be more difficult to repair if there are any problems with ports.

Beneath the motherboard is another layer of the camera’s heatsink frame. Once this frame is removed, there’s full access to the image sensor. The full-frame sensor is a standard size, but the sensor array looks quite big with the IBIS system. The IBIS is locked in place to reduce the risk of damage when not in use. Many IBIS systems float freely when not in use. If you have a Z9, or any camera, you’d like converted to full-spectrum or infrared, visit Kolari Vision to check out your options and learn more.

You can also check out their filters if you don’t want to take the plunge with full conversion. Isn’t the film sensor plane considered the focal plane? Two things have to be properly oriented; the sensor plane has to be perpendicular to, and centred on, the optical axis.

There are always manufacturing tolerances and errors can add up. To mitigate those alignment errors due to tolerances, you can make one of the pair adjustable. So, you could make the lens mount adjustable, which would affect its stiffness and strength – not good for large lenses. Or you could make the sensor mount adjustable – much easier.

I’m not trying to split hairs, but then the text should read “adjusted the focal plane to be calibrated to the lens mount”? As written, they’re saying the focal plane is calibrated to the focal plane”. The focal plane in theory is the plane at and perpendicular to the focal point. I was just wondering if the author meant something else e. In the reality of manufacturing I supposed there are two focal planes: a surface centred on and perpendicular to the lens mount at a distance of 16mm, or the surface of the sensor, with the latter being the “true” plane.

The purpose of alignment is to bring the latter as close as possible to the former. Compared to the Sony a1, which includes detachable flex cables for many of its ports, the Z9 will be more difficult to repair if there are any problems with ports.

Soldered connections are the preferred method for durability. This is acknowledged industry wide. A definite plus for the Nikon. My experience as well. I made a statement to this effect last week that met with heated opposition. Not sure the purpose of this”. MILC man, replace the entire motherboard or just heat-up the solder to break the connection?

I think it is fairly easy to place a hot soldering iron on the connector for a short time, until it can be pulled apart, that is repair They can do this at the mall on the charging port of your phone while you eat a pretzel. Kona Mike – sure you can do component-level repair, i’ve done it literally thousands of times, but these days nobody solders anything. MILC man, lol, “these days nobody solders anything” The right to repair people would beg to differ with you.

Kona Mike – people who actually have tech experience are disagreeing with you, for instance myself and kolari. The OP gets at a good point in general: that sometimes reliability and repairability are two different goals, and sometimes there are tradeoffs of one for the other. As mentioned, the preferable solution is simply to not need a repair in the first place, and that is apparently where the Nikon Z9 excels.

Apple sometimes gets criticized for the same thing: making products so well integrated and built, that they are harder to repair. Not surprisingly the people making the biggest noise over repairability are the ones who do it either for a job, or as a consequence of their job. MILC man, why do you need to buy a new mother board? I’m sure it is possible to find another audio jack, I think they are fairly standard, but I don’t have any tech experience.

Any design is a trade-off. The question is I do not recall this being an issue, so unless proven otherwise soldered connection is a minus, not a plus. But we really wouldn’t know too much if there were a problem of loose connections inside of cameras, unless you work in that field.

It’s not like there’s any published data for that. The fact that any one of us does not recall reading about this means nothing and is just anecdotal. BTW, here is a post from a repair shop with over 25 years of experience servicing Sony pro gear, on the most common repairs for the A All cameras including Z9 is filled with these flex cables connecting different parts, why would there be more issues with those used for ports like on the A1 compared to any other parts in the camera?

Issues with port seems to be rather common problem, regardless of camera brand happens on the Z9 too as MILC man link showed. Read the Lensrentals article about it:. Both Lensrentals and Kolari Vision that are in this business seem to think it is a good idea to separate the port from the main board, I guess because it is a rather common point of failure and might be expensive to repair if the whole main board needs replacing.

And separating ports from the rest of the board is most likely a more expensive design, so if there were no point of doing it I guess no one would do it. Sony also used to have the ports on the main board but changed it in the A1 perhaps all 4th gen bodys.

Thoughts R Us Pin connection is not just an A1 thing, is the most common connection style in most cameras. A loose connection issue could be a guessed subset of the issue you mention on one model of a camera. Anecdotally, from personal experience and general reporting I have not seen patterns of connections going loose.

I’d rather get that as a rare fix than re-soldering or a new board. I tent to believe that Nikon cut some corners to deliver the Z9 at an amazing price soldering vs removable connection, relatively under-designed lens mount, lack of a mechanical shutter, low res and relatively small EVF Note that this does not mean bad.

From an engineering perspective the price proposition might make more sense than over-engineering, so I do not see it necessarily as a bad thing. Just I do not need to invent excuses if cutting corners is what it was without really compromising the camera, while the Z9 price is a huge selling feature.

Since neither the Z9 or A1 has been out that long, one cannot make any statements regarding long term reliability, except, that as noted, soldered connections have a history of holding up better over longer periods of time.

If anyone would bother revisiting this in 3 to 5 years time, then we would probably have a better indicator, but no one will take the time or expense to do that.

However, given that Nikon has a history of producing bodies that last a very long time I will definitely bet on the Nikon holding up very well. That doesn’t mean the Sony won’t either, but I know to trust Nikon due to decades of a proven track record. What are you basing that on except a few anonymous posters here? Kolari and Lensrentals does not seem to agree with you.

And why would it be any less reliable to solder the port to something and then connect it to the main board instead of soldering it directly the main board. It makes no sense.

But it can save you having to replace a broken mainboard. Flex cables are used every where in the Z9 and other cameras , nowhere has I seen it being a reliably issue. One more does not change anything.